Jenning's co-worker Mike Minor, was even more vehement in his appraisal, "It was one of the most soiled and shabby chapters of Hollywood history, in terms of how people were treated. 108-109) The amount thus generated for the studio has never been disclosed, though Steel herself has given a conservative low estimate of at least $250 million dollar in total sales of licensed Star Trek-related merchandise, of which, "depending on the product", 1 to 11 percent were fees for the studio. Decker concurs, comparing it to "We all create God in our own image. McCoy is angry that his Starfleet commission was reactivated. 1983: US Betamax (special longer version). McCoy thinks that Kirk is obsessed with keeping his command. Dr. McCoy: Why is any object we don't understand always called "a thing"? Barry Diller, then studio head and chief financial overseer of the production, recalled, "Once the theater owners realized that we pulled this scam off on them, none of them liked it. And the only person who seems to know how to do it right now, forgive me, is George Lucas, because I firmly believe Steven Spielberg hasn't the slightest idea what storytelling is all about. It seems to think of the scans as hostile and attacks them. The ship travels deep into the next chamber. Then, after the world premiere, he and Gene Roddenberry considered doing some more work on the film, but Paramount overruled them, saying it might show a lack of confidence in the film if they did that. Kirk tells Scott that two and a half years as the Chief of Starfleet Operations may have made him a little stale, but that he wouldn't exactly consider himself untried. "Ilia" points to the structure on the screen and identifies it as V'ger. Behind them, McCoy reminds Decker that she is a mechanism.

When Robert Wise was approached for the director's position, he recalled, "And when I first came into the film, I was told by Michael and Jeffrey [Katzenberg] that they were out to make a "top-notch picture", and that our budget stood at somewhere between fifteen and eighteen million dollars. Ordering Uhura to deactivate the viewer, Kirk informs the crew that the pre-launch countdown will begin in forty minutes and the assembled crew leaves to attend to their duties. Decker is happy to see her, as they developed a romantic relationship when he was assigned to her home planet several years earlier. After Decker and the probe leave, Spock expresses concern to Kirk of that being their only source of information. Wise also said that the Director's Edition is a tighter cut and more focused on the characters, within the restrictions of the film's story. (Return to Tomorrow - The Filming of Star Trek: The Motion Picture, p. 165), Three years later, the studio made a big deal out of the fact that The Wrath of Khan, still produced under the auspices of Michael Eisner, was realized under its tight budget of approximately US$11.5 million, which officially (considering the worldwide box-office gross of US$97 million) makes this film the most profitable outing in the entire film franchise, putting Roddenberry in an even worse light. Apparently, Wise saw no need for one at the time, as he had none on the two science fiction films he worked on before, The Day the Earth Stood Still (1951) and The Andromeda Strain (1971, and on whose strengths he was hired in the first place), instead dealing directly with the effects staffers in his role as producer. Therefore, in order to fully appreciate the efforts that went into the production of The Motion Picture, a full overview of the live-action revitalization history is warranted. A new CGI shot shows the V'Ger vessel entering Earth orbit. "Sir, it's on a precise heading for Earth. Decker tells her, with slight sarcasm, that Captain Kirk has the utmost confidence in him. "Aye, sir. In order for them to concentrate on the other visuals, RA&A was however entirely pulled from the studio model photography, from here on end completely denied access to them, which for the time being was reverted to FGC cinematographer Bill Millar while Douglas Trumbull was, ironically, concurrently appointed as an unpaid technical consultant in a last ditch effort to regain control over the situation. For the work, Trumbull was able to partly reassemble his team he had on Close Encounters, but was forced to let go by the studio over a year earlier. Additionally, the music was slightly extended to add new Director's Edition credits. McDonald's ran several thirty second television commercials, promoting the Motion Picture Happy Meals, one of them featuring a Klingon, endorsing them in, what was supposed to be, Klingonese. The crew finishes its repairs and the Enterprise leaves drydock and heads into the solar system at impulse. Scott activates the travel pod's thrusters and they begin the journey over to the drydock in orbit that houses the Enterprise. My wits! Toward the end of the film, Commander Decker tells Captain Kirk, "NASA National Aeronautics and Space Administration. While sharing a laugh with Kirk, Scott remarks, "Any man who can manage such a feat I wouldna dare disappoint. "Why? When hired, a second, equivalent Art Department, Astra Image Corporation (ASTRA), was allowed to be established by RA&A to operate on par alongside Paramount's own Art Department, resulting in confusing situations with hugely overlapping responsibilities, as Jennings attested to, "We made a camel. 60; The Making of Star Trek: The Motion Picture, p. 203; Enterprise Incidents; special edition on the technical side, pp. And westerns will come back. I figured out this laser thing. Kirk asks the crew where Decker is. Uhura tells Kirk over the intercom that they have made visual contact with the intruder. As stated above, the studio actually did charge in full all costs made for every single prior revitalization attempt to the Motion Picture, further hinting at information manipulation, an industry phenomenon known as "Hollywood accounting". It should likewise be noted that Wise in his role as director also should have shared to some extent in the "plodding pace" criticism but, in his defense, in this regard he had by then little choice due to the February visual effects debacle, as he was forced to "start putting our effects into the body of film, one at a time, as they came in from the effects houses". Robert Wise To make room for parking on the Paramount lot, one of these executives had the western lot torn up the last surving western lot in town. New & Upcoming Superhero Movies and Series. Spock manages to smash the controls to prevent further access, and the probe gives him an electric shock that sends him rolling onto the floor. In comparison, all the studio's biggest box-office successes of the mid-1970s, John Travolta's Saturday Night Fever and Grease, as well as Mario Puzo's The Godfather, were "low-budget" productions, none of them exceeding a production budget of US$6 million dollars. ", "Your child is having a tantrum, Mr. Most beautiful bald woman I can think of right now By what name was Star Trek: The Motion Picture (1979) officially released in India in English? Decker and Ilia are seen walking around in the recreation room. Commander Branch inquires as to its heading. (New West magazine, 26 March 1979, p. 60) The company was selected by Rabwin, taking along Mike Minor on the second meeting, on the strength of their groundbreaking contemporary commercials, unaware that the company was at the time not ready to handle a project of this magnitude, while correctly assessing that Paramount's other subsidiary effects house, Magicam, who were to do the effects for the television predecessor, was not either. All other footage was tinted gold. "Ilia" says that they have oppressed the Creator, and Kirk makes it clear he will not disclose anything. With Spock's assistance, the engines are now rebalanced for full warp capacity. Chekov tells Kirk that airlock 4 has been opened and a thruster suit has been reported missing. ", "Well, Jim, I hear Chapel's an MD now. I'm sorry, Will." He shows her pictures of previous ships that were named Enterprise. At another game, which Ilia enjoyed and nearly always won, they both press one of their hands down onto a table to play it. Kirk tells the probe that if V'ger destroys the Enterprise, then the information it needs will also be destroyed with it. A clean-shaven Dr. McCoy arrives on the bridge and complains that the new sickbay is now nothing but a "damned computer center." robot chicken wars star escalator "Report to the bridge, commander. 4, 6) How bad the relationship between the two parties already was by that time was exemplified by the fact that Trumbull failed to communicate that the work was close to completion, since Close Encounters already premiered on 16 November 1977, and that the studio immediately went in search for another company, making it debatable how sincere their inquiry was. Kirk tells Uhura to transmit an image of the alien to Starfleet, but she explains that any transmission sent out of the cloud is being reflected back to them. You're just as warm and sociable as ever." Well, I'm gonna need a top nurse, not a doctor who'll argue every little diagnosis with me! ", "Jim, I want this! (Star Trek: 45 Years of Designing the Future) Both remarks implied that the upgrade was a "spur-of-the-moment" decision, whereas the somewhat flippant "top-notch picture" annotation by Eisner, additionally indicated that the consequences of their upgrade decision was neither thought through, nor fully understood by the studio. Kirk orders that the ship continue on course through the cloud. The withholding itself of course was not the actual case, as the movie was not completed until the very last moment. But Wise was never associated by the studio with the high production costs, as he was, consciously or not, and unlike every other of his films, never officially credited as producer and therefore shielded from criticism. Several more bolts are released, and they all split apart to form smaller ones and they assume equidistant positions around the planet.

Concurrently, the film also represented the first time that the Vulcan language was heard spoken out aloud in a coherent matter a few loose spur-of-the moment incoherently invented exclamations were previously heard in the Original Series episode "Amok Time". We witnessed a birth.". She is not interested and states that recreation and enjoyment have no meaning to her programming. And I say, let him. 372-374), Apogee was entrusted with the opening Klingon scene, the digitizing of Epsilon IX station scene, the wormhole mishap sequence, the V'ger approach scenes and the V'ger-probe on the bridge scene. RA&A's Art Director Richard Taylor, clarifying that this was on the studio's insistence, stated, "There was conflict from the very beginning. Chekov replies that an oxygen/gravity envelope has formed outside of the ship. This used to be a conscious strategy policy as it afforded Hollywood studios certain decision-making advantages. But it was not until the pilot episode of The Next Generation that the maneuver was finally depicted. McCoy and Dr. Christine Chapel come to the bridge to greet Spock, but he only looks at them coldly and does not reply to them. Moments later, Spock arrives on the bridge, and everyone is shocked and pleased to see him, yet Spock ignores them. Release date: 7 December 1979 ", she asks. The first one is heard just before Kirk engages the, The film was one of only a few Hollywood productions, and also one of the last along with Disney's, This film marks the first depiction of Earth in the 23rd century.

Decker asks "Ilia" to help them make contact with V'ger. Considering that their "$25 million" having taken Rodenberry's 1979 interview statement to that effect at face value (Return to Tomorrow - The Filming of Star Trek: The Motion Picture, p. 653) were already taken up by the visual effects production and set construction alone (see below), meant that the Reeves-Stevens/Rodenberry assertions should therefore be considered as equally manipulative as those of the studio, albeit at the opposite end of the spectrum. In December 1977 his company was in financial troubles due to the fact that his acclaimed Levi's commercial had run hugely over-cost (tendered at US$190,000, the commercial ended up costing US$330,000, and measured in thousands instead of millions was proof how small Abel's company actually was in fact) and he needed the Paramount commission for his company's survival. They always come back." Additionally, the viewfinder in the next shot is enhanced to show sparks and debris. He activates a panel on the suit and calculates thruster ignition and acceleration to coincide with the opening of an aperture ahead of him. ", indicating that the studio was grooming Berman and had never considered Roddenberry to continue in the first place. In the officers lounge, Spock meets with Kirk and McCoy. Uhura tries to speak to Spock, but he ignores her as well and tells Kirk that with his permission, he will go to engineering and discuss his fuel equations with Scott. The film marked the first time that Klingonese was heard spoken. Throughout most of the filming of The Motion Picture, a final ending story had yet to be developed. There was creative pulling back and forth, fumbling around, coming and going of people ad infinitum and ad nauseam. In the case of Star Wars, Eisner and company, formed in the "Hollywood Studio System" tradition, failed to grasp that that film was produced under unique and radically different circumstances. It's asking questions. My question, and the question of most art department directors, to these individuals would be, "OK, what happens when Star Trek, Star Wars and the other pictures have had their run and you're back to making westerns? "What was I meant to be?" ", "Enterprise, what we got back didn't live long. ", Spock compares V'ger to a child and suggests they treat it like one. So I had to this razzmatazz bit onstage, so I could convince the people making pajamas and toys and Coca-Cola and McDonald's to do the tie-ins. what moviemaking is about. In-universe date They arrive at the Enterprise held in drydock, and Scott gives Kirk a brief tour of the new exterior of the ship. (Star Trek Movie Memories, 1995, pp. ", "Each of us, at some time in our life, turns to someone a father, a brother, a god and asks: Why am I here? This was especially true for the Star Trek: Phase II television movie, n series, -project, which directly preceded The Motion Picture, as much of the groundwork for The Motion Picture was laid during the pre-production of that project. These figures were commonly not disclosed to the home public by the Hollywood Studio System, as it was until the mid-1990s customary in the American motion picture industry, to publicly judge the performance of a film solely on how well it did in its home market, discounting other revenue streams which traditionally remained undisclosed. Incomplete. Directed by Uhura chimes in and tells Kirk that they are getting a faint signal from Starfleet. The probe shows another moment of emotion, saying Dr. Chapel's name, and putting her hand on Decker's face, calling him Will. (New York magazine, 29 May 1989, p. 45; Star Trek: The Complete Unauthorized History, pp. "Ilia" stares at the viewscreen, and, in response, the aperture opens and drags the ship forward with a tractor beam into the next chamber. At that time, however, Dykstra's Apogee was still working on Altered States and had to again decline until Altered States fell through only a month later. Kirk firmly insists that they are leaving, ready or not, in twelve hours. I'll explain what happened. He said that if he had seen her again, would she be able to say goodbye? "This device serves no purpose.". On Kirk's console viewscreen, Uhura informs Kirk that a Starfleet registered shuttlecraft is approaching and that the occupant wishes to dock. Decker and "Ilia" come up to the bridge, and she says that V'ger is signaling the Creator. On the other end of the spectrum, the latest this film could have taken place is in 2278, since the red The Wrath of Khan-style uniforms were in use by some time that year based on TNG: "Cause and Effect". Your revered Admiral Nogura invoked a little-known, seldom-used "reserve activation clause." Spank it? Spock picks up the necklace from the ground and holds it in his hand. Five years out there, dealing with unknowns like this. (The Making of Star Trek: The Motion Picture, pp. Until 2005 that was though, when the issue re-emerged in a slightly different format when Gulf+Western's successor Viacom (old) was split into two separate entities CBS Corporation and (new) Viacom. Kirk asks where the real Ilia is, and the probe states that "that unit" no longer functions. McCoy realizes Spock has found what he needed, but that V'ger hasn't. Scott says that the refit, a process that took eighteen months, can't be finished in twelve hours and tries to convince him that the ship needs more work done as well as a proper shakedown.

", "Just a moment, captain, sir. Construction Coordinator Gene Kelly has compiled an overview statement on the costs and use of the Motion Picture sets, which was reproduced in The Making of Star Trek: The Motion Picture (p. 95): While it is stated above that the studio included costs already incurred for previous revitalization attempts of the live-action franchise, Kelly stressed that the costs he listed are those that were exclusively made during the production of The Motion Picture proper, meaning from February 1978 onward. 25-26, 390), Regardless of what the shortcomings of RA&A proper were, in one respect Gene Roddenberry did cause the effects budgets to balloon. ", "Any show of resistance would be futile, Captain". In the case of the Motion Picture these roles were divided over a half dozen people, each of which with his own agenda, resulting in the somewhat unstructured and drifting production history and constituting a classic case of having too many helmsmen at the wheel; thirdly, and most importantly, cost-wise speaking, all effects were produced in-house. Kirk tells her to set the Enterprise transmitter to the appropriate code frequency and to transmit the signal. As Spock walks into the turbolift, Kirk stops him and welcomes him aboard. The alien is puzzled it contacted the Enterprise why has the Enterprise not replied? There was no product, because there was no movie to show anyone. Implicating Roddenberry in the high production costs, which was only partly justified (see below), was, in hindsight, indeed studio politics by COO Michael Eisner and his studio executive colleagues, adeptly turning a disadvantage into a publicity advantage by carefully managing cost information dissemination. He refuses, and a plasma energy attack shakes the ship. There is now a walkway that materializes out of thin air, compared to the endless field in the original version. And they've probably redesigned the whole sickbay, too! Ilia is curious about Decker's reduction in rank and Kirk interrupts and tells her about Decker being the executive and science officer. New opening titles were commissioned for the film's opening. Kirk theorizes that the orbiting devices are controlled from there. In sickbay, the Ilia probe lays on a diagnostic table, its sensors slowly taking readings. However, this entailed discarding all the ones made for Phase II, deemed unsuitable to meet big-screen requirements, and starting all over again. Only in the mid-to-late 1980s did production budgets start habitually to balloon exponentially, first in double digits, and subsequently into the triple digits. Then "Ilia" says that the Creator has not responded. Spock decides it must have some special meaning, so he attempts to mind meld with it. ""Is this all that I am? (Star Trek Phase II: The Lost Series, pp. Decker tells Kirk that Voyager 6 disappeared through a then-called black hole. (The Making of Star Trek: The Motion Picture, p. 94), Part of the reasons why RA&A's budgets kept rising was that they became involved in set construction as well, which had not been their assignment originally.

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